Recently I had to do the final packaging of a show that we cut using Final Cut Pro X, or more specifically add our finished, mixed, and mastered audio files to a colour graded master video file. I was pretty well versed in this process using Final Cut Pro 7 back in the day, but had never actually had the occasion to do it with Final Cut Pro X. The problem I was having was that each audio file was supposed to correspond to a separate audio channel, which in the old days corresponded to the tracks in your NLE. But, as we all know, Final Cut Pro X has no tracks. So what are we to do?
Read on to discover how we can re-stripe our audio with Final Cut Pro X and the magic of Roles.
Read More“Your feedback is helping us build Earth’s Most Customer-Centric Company”. That was the message displayed to me after I closed my live chat with an Amazon.ca representative trying to solve my problem. It made me want to laugh out loud, if I weren’t so mad.
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Recently I've been working on a series that requires me to try out and download a lot of music options. In so doing I've come across a feature I'd really, really like to see added to Final Cut Pro X. Rather than simply wish for it, I decided to send some feedback to the team at Apple. I thought I'd share it here with you, and perhaps if you agree you might opt to request it as well!
Click through to read my feature suggestion.
Read MoreThanks again to everyone who came to our session. Here's a collection of notes and resources that hopefully be helpful to you. If you have any more questions please do not hesitate to get in touch with me, via the contact form above or on Twitter @adamschoales.
Click through for the complete post.
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